Gravitation, like all universally efficient physical principles, is not an object of sense-perception. Kepler showed, thus, the existence of a universally efficient principle of action, operating as if from behind the shadow-world’s veil of mere sense-perception. This paradox discredited, in fact, all astronomy based on the simplistic view of sense-perception, and led to Kepler’s discovery of universal gravitation, and thus to the founding of the first comprehensive approach to constructing a mathematical physics. Both the entire system of Aristotle, and also the empiricist hoaxster Galileo, were forever discredited by that single discovery of Kepler’s. Kepler, adding more precise measurements to those of Brahe, showed empirically that the planetary orbits were elliptical, not circular, and did not represent uniform motion.
The continuation of that erroneous Aristotelean method revived and dictated by the decadent Roman Empire, prompted not only Claudius Ptolemy, but also Copernicus and Tycho Brahe, to devise schemes which sought to explain sense-perception of the astronomical heavens (normalized sensual observations) according to Aristotelean principles. Consider, as an obvious choice of illustration, the uniquely successful method of the only original discovery of a principle of universal gravitation, by Johannes Kepler. Take as an example, the matter of gravitation. Science is the practiced accumulation of discovery of what are practically provable to be universal physical principles, principles which can not be seen directly by the senses, but which correspond to those efficiently existing forms of action which increase man’s power in and over the universe, yet are acting from beyond the veil of sense-certainty. The senses are living organs of our bodies, which reflect, about as faithfully as shadows do, the impact of the experiences which the senses as such can never “see” directly. Such an understanding of this problem, is the indispensable starting-point for any scientifically competent body of thought respecting economy. When that childish error of assumption by relatively brutish cultures, such as the Roman Empire’s, is taken into account, it should be difficult to pin-point those pivotal accomplishments of the superior Classical Greek scientific thought, which are summed up in Plato’s Republic, notably, on this account, in his use of the allegory of the Cave. In contrast to both the Classical Greeks since Pythagoras, and the greatest scientific minds of modern European science, the relatively inferior cultures are gripped by the delusion that what is real is that which the senses imagine that they see, hear, taste, smell, and touch. On this point, the pivotal, systemic quality of difference between Classical and Romantic cultures, is their contrasted views of the matter of sense-certainty. Now, I come to the issue of economics as such, by which I signify physical economy, not financial accounting.
Let this century see the former, using LaRouche’s teachings and writings, extinguish the latter. 7, 2002), made clear to all who would open their mind and reason, the gulf between the science of physical economy, and mere monetary economics.
1, 2022: This section of a paper written by Lyndon LaRouche near the opening of this century (Oct. anything you’re willing to spare (whether it is your time, your stories, some of you old artifacts, or just cold hard cash) is greatly appreciated.Jan. e-mail is definitely going to get you a faster response, or if we're friends on facebook you can hit me up there, too.
#Thursday fireside bowl free#
If you’d like to donate, or help in any way, feel free to get in touch with me here or at. it is a huge undertaking, but should be a pretty incredible resource for everybody once it’s up and running. there will also be a section where fans and musicians can write their own memories of each specific show, and of the fireside in general. each date will be a click-able link to a new window where users can upload photos, videos, set lists, posters, fliers, etc. The goal of the website is to list every show ever played at fireside. by buying one of these 10 pins, not only will you get a piece of history, you’ll be helping to preserve it. up until this point, every penny put toward production has come from my own pocket. as a thank you to everybody who has given me their time and sat down to do an interview on camera with me, i have given them an original bowling pin from fireside.įor the first time ever, i’m making a very, very small number of these available to the public to offset the costs of not only the documentary, but a brand new website as well. Many of you know i’ve been working on a documentary on the fireside bowl for the past year and a half.
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